Get Ready for the Future in Broadcast
“The Studio looks fantastic, and the creative team is devising many ways of using it within the productions moving forward.”
Neil Coles - White Light
We're here to help. Right from the start.
Your ideas. Our support.
Is your broadcast studio up for renewal? Do you want to incorporate virtual production techniques? Would support in helping the correct approach be welcome?
ROE Visual can help you decide on the right features, find the right solutions, and pair that with state-of-the-art LED panels.
Broadcast Studio Solutions
Wether you're installing a newsroom, a full-fledged sports studio, or are looking for solutions for large TV show formats, ROE Visual can help you find the right LED display or LED-based solution for any broadcast application.
Any studio design can be different and at ROE Visual we know to ask the questions that would help you getting the right type of equipment for your studio Now and for the future.
Finding the right type of LED display for any element in your broadcast or TV studio is crucial, blending virtual sets with your hardware a key-factor. We have both the experience and the knowledge to help you making the right descisions.
ROE Visual's approach starts with looking at your specific requirements, rather than selling a product.
We can help you plan a all the neccesary elements that build a complete studio; whether these are decorative elements, virtual studios, advanced technological solutions like GhostFrame, or beautiful LED displays for stunning backdrops with great on-camera behaviour.
All broadcast or TV studios have a basic technological environment in common, which can be split in three main parts.
ROE Visual can provide all the LED-based hard- and software you require, for all the other elements, we work closely with a trusted team of industry-leading supplyers and integrators, while maintaining a brand-agnostic approach. We love to find the right partner for you and create cross-industry connections.
ROE Visual has LED displays in several sizes, shapes and pixel pitches, offering a solution for all required studio elements. LED processing and hardware complete your set-up.
Content play out often requests a sturdy and reliable Media Server. Next to that each studio needs integration equipment to align all the hard and software. ROE Visual partners with disguise, but the LED panels are brand agnostic, working with solutions like Vizrt or Pixera.
Camera & Camera Tracking
In a broadcast environment you like to choose your own camera and tracking system. ROE Visual understands your preferences and offers testing time in a full-fledged VP studio, just to get things right. The choice is up to you.
Rely on the Save and Stable performance of ROE Visual LED
When performance matters
All ROE Visual LED panels are capable to display visuals in either 10-bit or 12-bit HDR. By selecting the premium LED batches from carefully selected suppliers, ROE Visual is able to reach more than 90% of the color gamut on a rec2020 target. And last but not least, ROE Visual LED panels work with high frame rates, up to 144 frames per second and powerful driver-ICs. Guaranteed perfect on-camera behaviour.
Discover our Products
Ruby RB 1.9BV2
For your main broadcast area you need a flagship product for perfect performance. Use the brilliant Ruby RB1.9BV2 and create the perfect background for your talent in any studio.
Do your require close up shots? Our fine pixel pitch Ruby RB1.5 offers the perfect solution for the job.
Add decorative elements in your studio to highlight your set or any element that needs to stand out. The ROE Strip offers a flexible and mappable linear LED element.
Join ROE Visual for our inspiring panel sessions featuring industry-leading specialists in XR, VP, and live broadcast. Make sure you're in on these once-daily sessions in Hall 7 C26.
ROE Visual is delighted to announce its participation in the IBC Exhibition, scheduled from 15-18 September 2023, in the RAI in Amsterdam. With an engaging stand in Hall 7 at C26, ROE Visual will showcase its latest products and technologies, highlighting its significant presence in the broadcast and film market.
"The biggest switch from green screen to LED is the live component. The director needs to actually see the shot they are about to take in the previs. I have never seen anybody do multiple camera’s in a virtual stage, there’s one camera that tracks and you do the manipulation there. When we first thought of using multicam on a virtual production, we thought it would be impossible. Luckily, we had GhostFrame technology, which proved to be the secret sauce to making the live broadcast happen. Now, with our new LED volume, we can do just about anything.”