Get Ready for the Future in Broadcast
“The Studio looks fantastic, and the creative team is devising many ways of using it within the productions moving forward.”
Neil Coles - White Light
Studio Planning
All broadcast or TV studios have a basic technological environment in common, which can be split in three main parts.
ROE Visual can provide all the LED-based hard- and software you require, for all the other elements, we work closely with a trusted team of industry-leading supplyers and integrators, while maintaining a brand-agnostic approach. We love to find the right partner for you and create cross-industry connections.
LED Displays
ROE Visual has LED displays in several sizes, shapes and pixel pitches, offering a solution for all required studio elements. LED processing and hardware complete your set-up.
Media Servers
Content play out often requests a sturdy and reliable Media Server. Next to that each studio needs integration equipment to align all the hard and software. ROE Visual has an agnostic approach, working with several partners to provide the best solution for your studio or project.
Camera & Camera Tracking
In a broadcast environment you like to choose your own camera and tracking system. ROE Visual understands your preferences and offers testing time in a full-fledged VP studio, just to get things right. The choice is up to you.
Discover our Products
Recent Projects
ROE Visual at IBC 2026
Championing the convergence of Premium Broadcast and Corporate Spaces, ROE Visual bridges the gap between traditional high-end broadcast studios and corporate fixed installations with cinematic, broadcast-ready LED innovation.
ROE Visual Provides Creative Canvas as Official technical Supplier for ESC 2026
ROE Visual served as the Official Technical Supplier for the 70th Eurovision Song Contest in Vienna 2026, providing advanced LED technology and a fully ST 2110-native IP workflow in collaboration with Creative Technology, delivering a high-performance visual ecosystem featuring over 49 million pixels across 500 square meters of LED panels, overcoming rapid stage change demands and new camera synchronization challenges to create a seamless broadcast experience for millions worldwide
"The biggest switch from green screen to LED is the live component. The director needs to actually see the shot they are about to take in the previs. I have never seen anybody do multiple camera’s in a virtual stage, there’s one camera that tracks and you do the manipulation there. When we first thought of using multicam on a virtual production, we thought it would be impossible. Luckily, we had GhostFrame technology, which proved to be the secret sauce to making the live broadcast happen. Now, with our new LED volume, we can do just about anything.”
