Get Ready for the Future in Broadcast
“The Studio looks fantastic, and the creative team is devising many ways of using it within the productions moving forward.”
Neil Coles - White Light
Studio Planning
All broadcast or TV studios have a basic technological environment in common, which can be split in three main parts.
ROE Visual can provide all the LED-based hard- and software you require, for all the other elements, we work closely with a trusted team of industry-leading supplyers and integrators, while maintaining a brand-agnostic approach. We love to find the right partner for you and create cross-industry connections.

LED Displays
ROE Visual has LED displays in several sizes, shapes and pixel pitches, offering a solution for all required studio elements. LED processing and hardware complete your set-up.

Media Servers
Content play out often requests a sturdy and reliable Media Server. Next to that each studio needs integration equipment to align all the hard and software. ROE Visual has an agnostic approach, working with several partners to provide the best solution for your studio or project.

Camera & Camera Tracking
In a broadcast environment you like to choose your own camera and tracking system. ROE Visual understands your preferences and offers testing time in a full-fledged VP studio, just to get things right. The choice is up to you.
Discover our Products
Recent Projects
ROE VISUAL POWERS THE BROADCAST ECOSYSTEM AT IBC 2025
Visitors to the ROE Visual Stand 1.D29 can experience a full spectrum of ROE Visual's latest LED technologies in simulated broadcast scenarios. From studio-grade LED displays to flexible, plug-and-play systems for corporate streaming and hybrid events, ROE Visual demonstrates how display technology can adapt to evolving production needs.
ROE Visual LED Powers the Stage at Eurovision Song Contest 2025
ROE Visual proudly served as a key technology partner for the Eurovision Song Contest 2025, delivering high-performance LED display solutions that helped shape one of the most spectacular and complex stage environments in live broadcasts today.

"The biggest switch from green screen to LED is the live component. The director needs to actually see the shot they are about to take in the previs. I have never seen anybody do multiple camera’s in a virtual stage, there’s one camera that tracks and you do the manipulation there. When we first thought of using multicam on a virtual production, we thought it would be impossible. Luckily, we had GhostFrame technology, which proved to be the secret sauce to making the live broadcast happen. Now, with our new LED volume, we can do just about anything.”